2013-08-04

Mohawk Speech about Peace, Women Identity, Mother Earth, Male Dominance and Destruction

Here in Turtle Island it is a female identity. We must honour our mothers and put them back into power where they belong.
You must adopt the ways of PEACE and give up these ways of male dominance and the destruction it causes.


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2013-07-29

THE ENGLISH TEACHER

TVA FILMS is proud to announce the release of The English Teacher on Friday, July 26th 2013.   
Directed by Craig Zisk, the movie stars Julianne Moore (Crazy Stupid Love, The Hours, The Kids Are All Right), Academy Award® nominee and Emmy award winning actor Greg Kinnear (As Good As It Gets,  Little Miss Sunshine), also starring Lily Collins (Mirror Mirror), the Broadway star Nathan Lane (Mirror MirrorThe Birdcage) and Michael Angarano (Gentlemen Broncos). The English Teacher is the charming story of a small town teacher whose mundane routine is turned around when a former student returns after failing as a playwright in New York City. 


Linda Sinclair (Moore) is a forty-year-old unmarried high school English teacher in the small town of Kingston, Pennsylvania. She shares a small apartment with two Siamese cats and her rich collection of great literature, and she likes it that way. But Linda's simple life turns an unexpected page when former star pupil Jason Sherwood (Angarano) returns to Kingston after trying to make it as a playwright in New York. Now in his 20s, Jason is on the verge of abandoning art, pressured by his overbearing father (Kinnear), to face reality and go to law school. Linda can't stand the thought of Jason giving up on his dreams so she decides to mount his play - a dark, angst-ridden, ambitious work - as a Kingston High School production, with flamboyant drama teacher Carl Kapinas (Lane) directing. With the play, her reputation, and her teaching career on the line, Linda finds an unlikely ally in herself. 


THE ENGLISH TEACHER marks Craig Zisk's feature film debut ; he won a Golden Globe for Brooklyn Bridge, and earned multiple Emmy nominations for The Larry Sanders Show and Weeds. 
The film was written by Dan and Stacy Chariton and is an Artina Films production. Naomi Despres, Robert Salerno, Matthew E. Chausse and Ben LeClair serve as producers. Philippe Chausse of Procinvest Sas and Aaron Gilbert of Media House Capital serve as executive producers. 

The film premiered at the 2013 Tribeca Film Festival on April 26, 2013. Since May 31st 2013, the movie already played in 13 cities in Canada. 
US  –  English  –  PG  -  136 minutes 


2013-06-03

Ce que le jour doit à la nuit

CINÉMA
A-Z Films a le plaisir d’annoncer que le film Ce que le jour doit à la nuit, réalisé par Alexandre Arcady, prendra l’affiche en exclusivité au Cinéma Beaubien le 14 juin 2013.

Le film met en vedette Nora Arnezeder (The Words, Safe House), Fu'ad Aït Aattou (The Last Mistress), Anne Parillaud (Nikita), Vincent Perez (Un baiser papillon, Cyrano de Bergerac), Anne Consigny (Rapt, Un conte de Noël) et Fellag (Monsieur Lazhar).

Ce que le jour doit à la nuit est une adaptation du best-seller de Yasmina Khadra, auteur reconnu mondialement notamment pour les livres L’attentat, Morituri et Les hirondelles de Kaboul. Pour le réalisateur, qui est un grand admirateur du travail de Yasmina Khadra, ce récit est l’oeuvre qu’il attendait : « Il me semblait que tout mon apprentissage, toute mon expérience de cinéaste étaient tendus dans l’attente inconsciente d’un roman comme celui-là. »

SYNOPSIS
Algérie, années 1930. Younes a 9 ans lorsqu’il est confié à son oncle pharmacien (Fellag, Monsieur Lazhar) à Oran. Rebaptisé Jonas, il grandit parmi les jeunes de Rio Salado dont il devient l’ami. Dans la bande, il y a Emilie, la fille dont tous sont amoureux. Entre Jonas et elle naîtra une grande histoire d’amour, qui sera bientôt troublée par les conflits qui agitent le pays.


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ServicesMontreal.com - Monsieur Yasmina Khadra, Yasmina & Mohammed


ANIKAI Dance: Wendy Jehlen and Shakespeare

In the hands of ANIKAI Dance, Shakespeare’s texts are taken out of context and performed mostly in Hindi or American Sign Language.
They conjure up entire narratives with just one line, one word, one gesture.
ANIKAI Dance presents
The Canadian premiere of
The Knocking Within
a dance-theater duet

Directed and performed by Wendy Jehlen and Pradhuman Nayak
At the 2013 St. Ambroise Montreal Fringe Festival, venue: MAI (Montréal, arts interculturels)
Sat. June 15- Sun. June 23
Click to see promo video: The Knocking Within
ANIKAI Dance Company comes to Montréal for the first time to present The Knocking Within. Just coming off a tour in India, where the show played to standing-room only audiences and received rave reviews, The Knocking Within will be at the MAI, as part of the Montreal Fringe Festival, before returning to Boston for a an extended return engagement. The Knocking Within is created by performers Wendy Jehlen and Pradhuman Nayak with lighting design by Stephen Petrilli.

Inspired by research into the neuroscience of sleep and the anthropology of dreams, The Knocking Within weaves a portrait of two lovers and the nightmares that plague them, unveiling the violence that lies just beneath the surface. With influences from Capoeira to Bharata Natyam, American Sign Language poetry to Kalaripayattu,
West African dance to a wide range of Contemporary forms, this work combines a dizzying array of movement vocabulary, woven together into a new language of the body. The piece calls into question the lines we draw between art forms, between cultures, even between methodologies.

The Knocking Within
draws on texts from Shakespeare, arguably the most recognizable playwright in the English language in the world, including lines from Hamlet, Macbeth, Othello, Twelfth Night, Titus Andronicus and the sonnets, to effect a re-staging of theater, taking it decidedly into the realm of visual communication. The texts are present but implicit, creating a tension between the permanence of print, the persistence of imbedded cultural stories, and the immanent meaning-making power of bodies moving through space.

These texts, taken out of context and performed mostly in translation into Hindi or American Sign Language, conjure up entire narratives with just one line, one word, one gesture. The challenge for the audience is to use these references, but not to see these characters as the Shakespearean ones – Macbeth, Othello, Ophelia – but rather as two unnamed lovers who could be anyone.

The show was performed in India just after a horrific gang rape and murder had led to widespread protest against rampant violence against women. ANIKAI Dance Artistic Director, Wendy Jehlen, addresses this violence in the play, “So often we view these events as separate from ourselves. I hope that audience members will connect viscerally with the characters and carry this understanding into their engagement with real world violence.”

Past audiences have responded strongly to the troubled relationship laid bare onstage. One audience member had this to say: “The Knocking Within is a very intense and personal experience. At one point during the show I noticed pain in my fingers. It was only then that I realized I had my hands clutched together, fingers interwoven, squeezing against my wedding ring. I was completely unaware of the physical response I was having to the tension unfolding on stage until my fingers went numb.”

The Knocking Within
ANIKAI Dance Theatre at the St-Ambroise Montréal Fringe Festival
MAI (Montréal, arts interculturels), 3680 rue Jeanne-Mance, Running time: I hour

Dates: June Sat 15/6 21:45, Sun 16/6 22:30, Mon 17/6 19:45, Thu 20/6 16:45, Fri 21/6 20:00, Sun 23/6 14:45 Tickets: $8.00/$5.00 students/seniors (+ $2 service charge)
To purchase: 514 849-FEST (3378), online at www.montrealfringe.ca, at the Central Box Office located at FRINGE Park (corner Rachel/ St-Laurent) or at the MAI as of one hour before show time. www.anikai.org


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2013-05-02

CCA: Greg Lynn in conversation with Peter Eisenman, Chuck Hoberman and Shoei Yoh

Special Event

May 8 2013

Join the CCA for conversations led by Greg Lynn, curator of Archaeology of the Digital,with three of the featured architects in the exhibition: Peter Eisenman, Chuck Hoberman and Shoei Yoh.

Click here for the Facebook event.
Free admission.
read more

Montreal exhibitions

In conversation: Phyllis Lambert and Elizabeth Diller

Événement spécial au CCA | Special Event at the CCA
Le lundi 13 mai 2013, 18 h | Monday 13 May, 6 pm


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2013-04-17

Gold Mountain is all about injustice

Gold Mountain is all about injustice that awaits people with the courage to go search fortune elsewhere. It is a story of Chinese men in Liverpool but it could also be about women, who try to get past the WASP system. White Anglo-Saxon Protestant - or Anglican in England - and while we're at it: the expression never mentions the word Male because it doesn't even come to mind that the question should be about anyone other than male. But let's get back to this great play called GOLD MOUNTAIN by LES DEUX MONDES.



Gold Mountain tells the story of different folks being paid less because... Why, actually? Because they look different? Because they're not related to the local politicians? What hidden mafias set those rules? Which key do we press to stop it? How else can hidden mafias work for their own? And then you might want to ask as you leave the theater: How would that half Chinese son be welcomed in his father's home village of China now that the fierce Kuomintang is no longer the sole authoritative ruler of the country? Would he be offered the same opportunities as any local? Or would he now be considered an invader trying to steal jobs or saved/shared resources while trying to build a gold mountain for himself so he can take it elsewhere to some other worldly or unworldly paradise unknown to the locals? Quite the theme: Live together... on equal grounds for white men and Chinks (and for women too maybe?).

Visual concept on the set is innovative multimedia with Chinese shadows. Actors move not exactly mountains but close.

Two men compose the entire actor team on stage. British Chinese writer David Yip who wrote the play performs the father figure, he who was not rich or corrupt enough for the family of the woman he loved, and then left his home village and walked barefoot to Hong Kong, and from there worked on a merchant ship all the way to Liverpool in search for a new life elsewhere, anywhere. His Liverpool's Chinatown raised son - born from a white English woman who had to live through prejudiced family rejection as a result of her marrying a Chink - is performed by Kevin Wong.

The play is in English with French surtitles.

Les deux mondes has done it again. This story - partly true with some fiction - must have been quite the challenge to bring together. It's been six years of work since that day of June 2007 when they first met to discuss the project.

Check out the video here


More info and details on Gold Mountainhttp://servicesmontreal-eblog.blogspot.ca/2013/04/gold-mountain.html


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2013-04-08

Gold Mountain

Part of Les Deux Mondes’ 40th anniversary season!

Les Deux Mondes presents a co-production with Unity Theatre, Liverpool (with French surtitles)


Gold Mountain
Written by David Yip and Kevin Wong, Directed by Daniel Meilleur
Tuesday, April 16 – Saturday, April 27
“You must leave, go and bring honour to your family. Find your gold mountain, make your fortune. Then and only then can you return.”
Award-winning Montreal theatre company Les Deux Mondes is excited to present their internationally acclaimed show, Gold Mountain, for the first time in their home theatre, Aux Écuries, from April 16-27. Written by talented British playwright, actor and filmmaker David Yip, along with Kevin Wong, the play is performed by the original actors: David Yip as father figure, Yee Lui and Eugene Salleh, as his son, David Yee. This visually stunning multimedia presentation is the collaboration of the inspired Les Deux Mondes creative team: director/designer Daniel Meilleur, visual artist Yves Dubé and sound/multimedia designer Michel Robidoux.
Despite their difficult relationship, David Yee elicits from his father, Yee Lui, the story of his tragic life; having to flee a small village in China and its political upheaval with the hope of finding his ‘gold mountain’- a name given to North America’s west coast by Chinese immigrants looking for riches during the 19th century gold rush. Yee Lui finds himself in Liverpool married to an English woman and with a family, but without the trappings of the success he dreamed of. Loosely based on actor David Yip’s own father's life, Gold Mountain is an intimate tale of father and son, immigration and belonging, told with breathtaking theatrical magic. David tries to piece together the broken jigsaw of his father Yee's life - exploring his rambling stories in search of family truths. But every answer asks more questions- will David find the man he barely knew? In this epic journey, follow Yee’s story of personal exile against the backdrop of Communist China, war, gambling, addiction, adversity and friendship. Les Deux Mondes’ striking environment, including a transporting soundscape and brilliant images created by lighting, shadow play and film, is coupled with riveting performances. Follow Yee’s search for fortune and happiness, and David’s ultimate understanding, through the multimedia poetry of this celebrated, contemporary show.
For writer Yip, the play is a cocktail of stories shaken and stirred, “Some accounts are true, others made up, but the emotional roller coaster of the piece is very close to the mark.” It was also important for Yip to shed light on the often untold stories of his heritage, “With nearly 40 years as an actor, I have become more and more frustrated that so little writing comes from the British-Chinese community.” He continues, “All through my childhood, the veil of secrecy and suspicion hung heavy, the past was to be forgotten and only the future could be contemplated and talked about. It is up to artists like myself to help lift that veil and allow the younger generations to be able to ask, ‘why’?” Yip enjoyed talking to artists from the Chinese community in Vancouver when Gold Mountain played there in November, “Canada is fortunate to have a thriving community with great historic links to the ‘gold mountain’. I was inspired by our exchanges of ideas and thoughts.”

Though a memory-play, the story’s themes address today’s issues. Les Deux Mondes has had the opportunity to play in 35 countries during its forty years of existence. Daniel Meilleur, Gold Mountain director (and company co- Artistic Director with Michel Robidoux), discovered the issue of immigration all over the world, lived more or less harmoniously or confrontationally, “No wonder that a story that depicts a Chinese emigrant in Liverpool can move spectators in Sweden just as much as it touched us as Quebec artists. The concerns are universal.”

For the designers, the company’s Villeray neighbourhood is ever-present. This from Michel Robidoux- “Any play about the integration of newcomers into a society is automatically relevant for audiences everywhere. The story is also about hope and the willpower of continuity.” Yves Dubé adds, “Besides tackling the reality of immigrants, Gold Mountain speaks to the generation gap, racism, interracial marriages and forgiveness.”

The play is personal for Robidoux, “Being a huge Beatles fan and the son of a Montreal harbour longshoreman, I would have been drawn to any story taking place in Liverpool and around its harbour. My father worked for the Cunard Steamship Company operating between Liverpool and Montreal.” When Robidoux came back from Les Deux Mondes’ first tour in China, he started building virtual musical instruments from samples he had recorded and composed a number of musical themes, “Many compositions fit the Gold Mountain project and the rest were inspired by this crossbreeding of China and Liverpool, the cradle of The Beatles, whose music was some of the first I learned.”

With a solid reputation for artistic innovation and experimentation, this Les Deux Mondes production is no different. Here, text influences the multimedia universe and vice versa. Having seamlessly collaborated together on four previous productions, this first-class team is reunited for this gorgeous show: concept, lights and costumes, Daniel Meilleur; visual concept and video design, Yves Dubé; and sound design, Michel Robidoux; with credit for the overall concept shared by all three.

From playwright David Yip: About Gold Mountain (video clip)
Gold Mountain April 16-27 in English with French surtitles
Les Deux Mondes with Unity Theatre, Liverpool

At Théâtre Aux Écuries
7285, rue Chabot (near metro Fabre) in Montreal
Tuesday to Friday at 8:30 pm, Saturday at 4:30pm
Tickets: $12.50-$25.00
Box Office: 514 328-7437 (514 Écu-ries) no service charge or online www.auxecuries.com/billetterie

www.lesdeuxmondes.com/en/spec-index.html
www.unitytheatreliverpool.co.uk
About Les Deux Mondes: www.lesdeuxmondes.com/en/cie-index.html

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