2013-10-30

The Rat Pack Jazz


FRIDAY, Nov. 1, 9PM: Dick Powell’s In the Mood for Jazz - $20An irreverent, satirical take on Hollywood's Golden Age. Black & white comes to life in this absurd spectacle of music and celebrity. Dick Powell returns to the stage after a twenty two year hiatus. Featuring: Dick Powell, Laura Thornton, Buck Wheaton (drums), Paco Bertolucci (guitar), Sandy Beaches (double bass), Shorty Benton (piano) and Buster Nelligan (alto sax, flute).
Rat Pack comedy/jazz show- In the Mood for Jazz
Written and created by Patrick Costello and Graham Cuthbertson with the help of Angela Galuppo and The Buck Wheaton Trio.
Bar service an hour before the show.
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2013-10-18

None of the Above

Written by Jenny Lyn Bader
Directed by
Trevor Barrette & Michelle Lewis
Mark these dates in your fall calendar
Tuesday, November 26 – Saturday, November 30, 2013

Only seven performances!

Jamie, 17, a sophisticated New York City private school student, answers the door one day expecting her drug dealer - and instead finds her SAT tutor.
Things degenerate from there. But as the play progresses, Jamie and Clark negotiate an unusual pact. 

With Lily MacLean and Scott Humphrey




None of the AboveKaleidoscope Theatre MontrealAt MainLine Theatre,
3997 St-Laurent,
Nov. 26-30

Tuesday to Saturday at 8:00 pm, Tuesday and Saturday matinee at 2:00pm

Tickets for the preview, Tues. Nov. 26 at 2pm, are $12

Tickets for Saturday matinee, Nov. 30 at 2pm are 2-for-1 (at the door only)


Tickets: $20, $15 (students/seniors),
$12 (groups)

Reservations: 514 849-3378
or online:
www.mainlinetheatre.ca/en/spectacles/none-of-the-above-by-jenny-lyn-bader


Kaleidoscope Theatre Montreal was founded in 2011 by actor, director and playwright Trevor Barrette. The company’s mission is to work with emerging and young professional artists in the Montreal community to produce visually dynamic theatre focusing on storytelling. The company is accessible to all, but most importantly, encourages a young adult audience.

Kaleidoscope Theatre Montreal’s first production, presented in the summer of 2011, was a post-modern dystopian retelling of Sophocles’ Antigone set in a war-torn Thebes, featuring a cast of twenty. The following year they created ‘a brave new world’ with their steam-punk version of Shakespeare’s The Tempest. The Canadian premiere of Jenny Lyn Bader’s None of the Above, a contemporary two-hander almost-romantic comedy about the things people do for money, grades and love, is their third production.


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2013-10-11

If We Were Birds

Fabulously written, fabulously interpreted.

Purposely destroying innocence or happiness for self blood-pleasure should be a crime. Because it is a crime.

This play is extremely strong, yet entertainingly displayed. The words and the destructive actions described   are to the utmost powerful while the manner in which the outrageous manners are depicted and brought to the consciousness of the public is smoothly chewed up.

Everything in If We Were Birds is simple and effective. From the set to the images used, and the setting in Ancient Greece.

Almost religious and jazzy
All actresses and actors are great in their respective roles, especially so the young girl played by Amella Sargisson who masters the expression and feelings of skin dirt and desperation, the cries and finally the acted upon idea to get herself out of the abusive situation. ''It's my blood'', he claims screamingly while locking her up in order to leave her no way for her cries to be heard. You can't help but think of so many women locked up in so many ways that are left totally uncared about by male-driven worlds, be they religious or other blood-ridden variables. The five-women chorus - each representing different daily life or male war abuse situations - is jazzy in beat, nature and sound.

Extremely well done!

If We Were Birds is currently playing at the Montreal Centaur Theatre. Here are the details:

If We Were Birds
An Imago Theatre production, Centaur Theatre’s Brave New Looks selection for 2013

At Centaur Theatre, October 9-19

453 St. François-Xavier, Montreal
Wednesday to Saturday at 8:30 pm,
Saturday and Sunday matinee at 2:30pm


There will be a talkback after each performance.

All matinees, October 12, 13 and 19, are pay-what-you-can (Suggested donation $10)
Tickets
: $25, $18 (students/seniors/Centaur subscribers/artists)

Box Office: 
514 288-3161 or online: 
http://www.centaurtheatre.com/tickets.php
www.imagotheatre.ca

All above photos by 
Tristan Brand.


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2013-10-07

Kafka’s Ape

Based on Kafka’s short story, A Report to an Academy
Adapted from the original German by Guy Sprung
Directed by Guy Sprung

Captured on the Gold Coast and imprisoned in a cage, Redpeter’s only escape route is to become a walking, talking, spitting, hard-drinking member of the Peace Industry, the entrepreneurial world of mercenary soldiers. In detailing the journey of his enforced evolution from apedom to humandom, Mr. Redpeter is a living embodiment of the irony that perhaps now he is more animal than he ever was as an ape.

Starring Howard Rosenstein, with Alexandra Montagnese

Kafka’s Ape
Infinithéâtre at Bain St-Michel
5300, rue St-Dominique (corner Maguire)
Thursday, November 7 – Sunday, November 24, 2013
Tuesday to Saturday at 8:00 pm, Sunday matinée at 2:00pm
Tickets: $17-$25, Infinithéâtre 6pack available
Sunday, November 10 is pay-what-you-can
Tickets: 514 987-1774 ext. 104 or online at www.infinitheatre.com

http://www.youtube.com/embed/ESjW1LNys7M

Other upcoming Infinitheatre shows:
The Pipeline, Dec. 4-8
Infinithéâtre’s annual series of free public readings, presenting three new Québec plays
Hanafuda Denki (The Dance of Death), Jan. 13-18
A Goth-Manga-Kabuki-Pop gender-bending musical treat for the senses

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2013-09-23

If We Were Birds, Imago Theatre at Centaur Theatre

Written by Erin Shields, Directed by Micheline Chevrier
Wednesday, October 9 – Saturday, October 19, 2013



How do you move on, move through, move past inflicted heinous violations? Can vengeance lead to hope? Imago Theatre is honoured to present Erin Shield’s If We Were Birds, winner of the 2011 Governor General’s Award for Drama, from October 9-19 at Centaur Theatre. This moving, funny and unsettling play, with an all-star Montreal cast directed by Micheline Chevrier, gives voice to women forced into silence through violence. Continuing their mandate to encourage dialogue, the company will hold a talkback after each performance.


If We Were Birds springs from the deep bond between two young sisters, characterized by their playfulness, romantic innocence and budding sexuality. An ingenious adaptation of the myth of Tereus, Procne and Philomela from Ovid’s Metamorphoses, the play features a diverse chorus of contemporary women, each a survivor of a 20th century conflict. The text draws on testimonials of survivors from Nanking (1937), Berlin (1945), Bangladesh (1971), Bosnia-Herzegovina (1992-95) and Rwanda (1994). The play is a strong indictment against the culture of war and its cycle of violence. It exposes the silence and shame that so often surround sexual violence, whether in times of conflict or in our everyday lives. It asks us to listen to those whom we refuse to see or hear, whose language often offends, whose stories always disturb.

Chevrier has always been attracted to Greek mythology and fascinated with the consequences of war, “The myths beautifully reveal what lurks within each of us; the conflict of human nature, and the battle between reason and passion, order and chaos.” For her, Shields has captured this paradox brilliantly, “The characters are at the same time violent and tender, beautiful and ugly. Shields is incredibly adept at mixing humour and the gut-wrenching, often injecting comedy into tragedy.”
In this visionary retelling, Procne, daughter of Athenian King Pandion, marries war hero King Tereus and sets sail with him for Thrace. Despite the happiness she feels in her new life with her husband and newborn son, she aches to see her beloved sister, Philomela. Procne pleads with Tereus to travel to Athens and bring her sister to her side. But the moment Tereus sets eyes Philomela, his blood is stirred into violent passion. The horrors of war bleed into the family, turning love into rage, rage into revenge, and revenge into incredible personal loss. Here, moments of humour blend with fury, compassion and sobering self-examination. Shields’ work is rich in content and form, with language ranging from heightened to modern vernacular, daring everyone to venture into the land of extremes.

Involved with Imago since 2009, this is Chevrier’s inaugural show as Artistic Director of the company. For her, as long as sexual violence still makes the news, this play is a conversation that has to start now, “One has only to look at what is happening in Juarez, Mexico, where a vigilante woman has taken justice into her own hands, avenging the rape of working women by the local bus drivers; or what has been happening in Egypt- men carrying off women who have come to the public square to make their voices heard, then raping them. Last spring, the mayor of Osaka defended the use of ‘comfort women’ by the Japanese army in the Second World War; pro-rape chants were proudly sung by fraternity members at Yale.” Chevrier continues to be struck by the silence and apathy of governments in bringing the perpetrators to justice, “I have always believed that the greatest crime is to silence someone or a people; in doing so, we effectively kill them.”

For Amelia Sargisson, who plays Philomela, the play raises the disquieting fact that we are all participants in, and victims of, a culture of violence, “I hope this production will inspire people to make small changes within their own lives to resist and help reverse the trend towards social values which not only accept but lionize violence.” According to the play, the effort to do so - to comprehend and even surpass ourselves - is inherent in us.

The well-known company of actors includes Lauryn Allman as Procne, Chip Chuipka as Pandion, Nico Racicot as Tereus, and Amelia Sargisson as Philomela. Playing the chorus of ravaged women who have been transformed into birds are: Deena Aziz, Stefanie Buxton, Shiong-En Chan, Clare Schapiro and Warona Setshwaelo.

Creating the trapped world of the play, complete with perches, rich textures, shadows, and evocative sound and props, are lauded designers Diana Uribe, set and costumes; Rob Thompson, lights; and Peter Cerone, sound. The stage manager is Kira Maros. Chevrier is thrilled with the wealth of talent, varying in age and background, coming together to explore this challenging piece of theatre.

Imago Theatre produces plays that address current issues and represent women’s experiences, perspectives and stories. For the past 26 years, Imago Theatre, along with an active, thinking and opinionated audience, has fostered conversation, encouraged reflection and provoked change.


If We Were Birds
An Imago Theatre production, Centaur Theatre’s Brave New Looks selection for 2013
At Centaur Theatre, Oct. 9-19, 2013
453 St. François-Xavier, Old Montreal
Wednesday to Saturday at 8:30 pm
Saturday and Sunday matinee at 2:30pm

There will be a talkback after each performance.

Tickets for the preview, Wed. Oct.9, are $15

All matinees, October 12, 13 and 19, are pay-what-you-can (Suggested donation $10)
Tickets: $25, $18 (students/seniors/Centaur subscribers/artists)

Box Office: 
514 288-3161 or online: http://www.centaurtheatre.com/tickets.php
www.imagotheatre.ca

This year three Montreal companies join together to offer modern adaptations of classic tales at a great price (4 tickets for $40/students, $60/adults): If We Were Birds, Imago Theatre; The Aeneid, Talisman Theatre; The Iliad and The Odyssey, Geordie Productions. Call Geordie Productions at 514 845-9810 for this package.




2013-08-30

Wonderful Kathleen Turner

Tonight was the tribute to Kathleen Turner at the Montreal World Film Festival. Michael Douglas and Danny De Vito as well as Kirk Douglas and Kathleen Turner's daughter were present, either in person or on video.

Movie scenes were selected for the occasion, from some of her best movies including The War of the Roses and Body Heat.

Kathleen Turner at the Montreal World Film Festival Tribute
Photo Jacqueline Mallette
Kathleen Turner is a wonderful actress, still working and still in demand. Still adored, loved and appreciated by her public.Still chic on stage: all those stitches from her own stunts are long gone, her performances are the best.

Kathleen Turner has also been an activist for over 26 years in some cases, and she believes women's health is most important for the world's health at large. Watch this video from Kathleen Turner at the Montreal World Film Festival press conference and the second video from the tribute at the Imperial Cinema (Videos Jacqueline Mallette):




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2013-08-05

Montreal First Peoples Festival : Nuestramericana

A beautiful family event downtown Montreal!

Starting with the parade of participating representatives from many nations on 3 continents, dancers, musicians, flag holders and the crowd all gather on Place des Festivals for shows until evening bands take over. With specialty food tastings and corn on the cob.

Such a peaceful happy moment!



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